We're expecting to see multiple AI-related commercials during Super Bowl LIX this weekend,Bahamas but at least one of them had to be edited before the game because of basic, factual wrongness.
As initially spotted by X user Nate Hake, Google had to edit its Wisconsin cheese-themed Super Bowl ad (in which the Gemini chatbot dispenses "useful" information about cheese) because Gemini got something wrong. In the original version of the ad, Gemini's response claimed gouda constitutes up to 60 percent of global cheese consumption. Despite Google's president of cloud applications Jerry Dischler claiming on X that it wasn't a hallucination, Google quietly altered the ad so that statement no longer appears in it.
This Tweet is currently unavailable. It might be loading or has been removed.
A Cornell professor confirmed to The Verge that gouda is almost certainly not the most widely consumed cheese in the world. In case you're wondering, Gemini appears to have plucked that stat about gouda from a website called Cheese.com, and as The Verge noted, there's literally a decade-old Reddit thread full of people disputing the stat in question.
Topics Artificial Intelligence Google Super Bowl
Emile Zola Had Some Strange Complaints About LondonRadical Flâneuserie: Reimagining the Aimlessly Wandering WomanAleksandar Hemon: We Need Literature That “Craves the Conflict”Does Ryzen Perform Better with AMD GPUs?Having Trouble Sleeping? Read This.The Airless, Lacquered Perfection of Steely Dan’s “Gaucho”The Hatred of Poetry: An Interview with Ben LernerLet’s Talk About Skin: An ExchangeFrom the Archive: Dabney Stuart’s “Santa Claus in the Desert”Let’s Talk About Skin: An ExchangeA Quiet, Meditative Place—Joe Gibbons’s Drawings from RikersSway Benns on Ballet, Gravity, and PainThe Value of “Witness Art” Under YouCome Now: The Impotence Trials of PreWhat Makes Languages Change? How Culture Shapes Our WordsJane Stern on the Unlikely Rise of My PillowStaff Picks: Our Favorite Reads of 2016Reimagining Juan José Saer’s “The Witness”Sitting Up: A Brief History of ChairsThe Return of Münchausen: An Illustrated Adaptation Terrance Hayes’s Soundtracks for Most Any Occasion by Terrance Hayes Other People’s Partings by Peter Orner Watch Loudon Wainwright III Perform Live at the Paris Review Offices by The Paris Review Softball Season by Sophie Haigney Bona Nit, Estimat (An Ordinary Night) by Robert Glück Odysseus’s Kinesphere by Annie Basilica by Cynthia Zarin The Ritz of the Bayou: Nancy Lemann’s Shabby On the Far Side of Belmullet by Rebecca Bengal On Hannah Black’s Pandemic Novella, Barthelme, and Pessoa by The Paris Review Mountains Hidden by Clouds: A Conversation with Anuradha Roy by Pankaj Mishra A Laborer Called a Writer: On Leonard Cohen by Carina del Valle Schorske Clipboard, 2022 by Jesse Ball Announcing Our Fall Issue by Emily Stokes Abandoned Books, Anonymous Sculpture, and Curves to the Apple by The Paris Review Beautiful Losers: On Leonard Cohen by Nell Zink Past, Present, Perfect: An Overdue Pilgrimage to Stonington, Connecticut by Henri Cole Scenes from an Open Marriage by Jean Garnett Seven, Seven, Seven: A Week in Cambridge, Massachusetts by J. D. Daniels Passing Through: On Leonard Cohen by Andrew Martin